“I Will Not Disappear.” – Zanyell Garmon

In the face of racism and the daily microaggressions churned out in a white world, Zanyell (she/her) spends years starving herself and self-harming in an attempt to disappear until she finds yoga and starts to feel more comfortable taking her rightful space in the world.

Storyteller Zanyell Garmon wrote and performed our Story of the Week as part of TMI Project’s newest Black Stories Matter true storytelling performance Black Stories Matter: Truth to Power, which was presented at Pointe of Praise Church in Kingston, NY on June 21, 2019. Read on below.


The air is humid, my skin still damp from swimming in the creek. My arms are swinging, feet skipping in time with my friends.  I’m about ten or eleven years old. I smile and feel a sense of belonging, like in my favorite movies when you’re with your group of close friends.

Then, one of my friends turns back to look at us and laughs. 

“Zanyell, it’s so dark I can’t see you,” he says. 

My other friends either laugh or stay quiet. At first, I don’t understand what he means, but when I do, I fall silent too. It isn’t a conscious thought in the moment, but I know that this is when I decide I don’t want to be seen; not for my blackness.

I start to worry about how I look, how I act, and how I’m perceived.  My mother tells me I have to work twice as hard because I’m black and a woman. It’s exhausting, but it soon becomes an obsession. In high school, I get called an Oreo because I speak white and listen to the wrong music. I’m placed on the honors track with mostly white students and I’m told that I act like I’m “better” than my black friends. Black and white beauty standards are also different. My mother praises my curves and my “J-Lo” booty while my white friends often ask me if their butts look big or their hair is too poofy. 

I watch America’s Next Top Model and see thin women with straight hair and straight teeth. On the dark web of Tumblr, I re-blog women with thigh gaps and protruding ribs, straight hair, and sunken in eyes. I fantasize about what it would be like to be them. 

In a chat room where we talk about anime, I use a picture of a blond white anime character, as my avatar.  It takes me a couple months to think, oh wait, I’m lying. I don’t look anything like that. 

In real life, I wear extensions and perm my hair. I skip meals to lose weight. The first day of high school, after I starve to lose almost 30 pounds, my friends say, “You look so good!” At 99 pounds, I have achieved my original goal, but I still feel like I take up too much space. Ultimately, I want to disappear.

I meet Caitlin online. She’s bulimic and self-harms like I do. The cutting help us control the pain of overwhelming emotions. It’s the intense shock of that pain, cutting into the flesh and drawing blood, that distracts from the feelings we can’t handle. I feel like she’s the only one who understands. We starve together, compare our calorie intake, offer support on the days when we felt weak. We promise that we’ll get better together.

“Don’t die on me Cait. We can do this,” I tell her too many times.

Her grandmother sends her to mental hospitals, deletes her accounts, and takes away her phone but she always finds a way to talk to me again, texting me from new numbers and messaging me from new blogs. 

The last time I speak to her, she is withering away, 86 pounds at 5 feet 11 inches. And then, when I’m in 11th grade, Caitlin disappears. I have no way to contact her, no last name to look up.  I search for her for a year and can’t find her. Just like that, she disappears. I decide I will not disappear like Caitlin.

A friend brings me to a yoga studio. The teacher is black. It’s a very diverse and authentic yoga studio. Doing yoga makes me feel better.  

I spend a month in an ashram in Nepal training to become a yoga teacher with other American trainees.  We practice yoga three times a day and three times a day, eat the same meal of rice, dal and roti. Eating is difficult for me at first. I cry a lot and everyone in my group is supportive. They are like a family to me. I realize that I’m eating with people who genuinely care about me and that this food is meant for me to eat. I begin to take up more space in my own body. 

One day, we all walk an hour to buy ingredients for a chocolate cake.  We make the cake and everyone eats it. The workers at the ashram eat the cake.  Even I eat the cake. That was a very good day.

Returning from my training in Nepal, I stop practicing yoga three times a day and fall into a really bad depression. In the middle of my hopelessness, I meet Ryan. He tells me ‘you need to breathe,’ and he just sits there and breathes so calmly and deeply that I have to breathe with him. Ryan is like a beacon of light, guiding me through the vast oceans of my sorrow. He teaches me to trust, to love and truly connect again with another human. My walls come down and I let him see me, but only the parts I have let myself see.

One day, lying in Ryan’s arms, I announce, “I’m going to change my hair.”

As soon as I say this, my heart starts beating quickly.  He has only seen me with my twists and I worry what his reaction will be. My struggle with my hair is one of many that I keep in a locked box. I have not been “natural” since a young child. My mom has learned how to do this crochet weave in style, one that will change my twists to free flowing natural-looking curls. She says I need a change, and I reluctantly agree.

Ryan smiles, “Yeah?” 

“I’m excited,” I lie and he agrees.

But when it’s done, he doesn’t like it. His hands awkwardly pat my weave of ringlet curls.  

“It’s so big,” he says.

“I don’t know if I like the fake curls,” he says.

“Why don’t you go natural?” he says.  “How do you wash that anyway?”

His words sink into the pit of my being. Now the box is open and I’m bombarded with flashbacks. The white customers when I worked at Shoprite asking the same questions, making the same statements in condescending tones. 

“How long does that take? It can’t be all yours. How do you wash it? Can I touch it?” 

I don’t get why my hair seems so exotic to them. Haven’t they seen other people wearing these styles? I feel like a spectacle. An animal at the zoo. I try to summon the courage, gather the words to express my relationship with hair, one of the most hated and loved aspects of my blackness. I see Ryan as another white male who will never understand. All the love we share and he will never understand. I remember his statements about being colorblind and wonder how he sees me? Did he forget I was black? Did my disappearing act work better than I thought?

“Don’t shut down on me,” he says.

My friends told me this would happen, that he would not understand. “It’s ingrained,” they said. “Implicit bias.” 

They tell me “Your new style makes you look more black, that’s his problem. He just got comfortable and forgot you were black.”  

“You’re putting up a wall,” he says, and I was. 

Weeks pass before I remember my decision to be seen, to be true. 

One night, over dinner with Ryan, I open the box. I say “You asked me to go natural but you don’t understand this is a battle I have to get through.” 

I tell him what I went through in school, constantly perming my hair to make it straight until I got braids.  How random people want to touch my hair or ask me, ‘‘How do you wash your hair?”

The same ignorant question he asked me.  I tell him that my hair is a part of my blackness that I both love and hate. The shock on his face is almost comforting.  Maybe what everyone said about him is not true. We speak about intentions, other microaggressions, my feelings on black hair, on blackness. As I see me, he sees me. 

He says, “I just want you to feel free and be yourself.  If this makes you happy that’s all I want.”

“I love you,” he says.

I start to feel that I can trust him and trust his intentions. I can’t always expect him to know things but when I do talk about these things, he really listens to me.  We can communicate through this.  

I don’t have to run away and I don’t have to disappear. I am learning to love me, my body, my hair, my blackness, my soul.

Would you like to see the full production of Black Stories Matter: Truth to Power? Download our Viewing and Discussion guide and host a viewing party! https://tmiproject.org/host-a-viewing-party/

“When I tell people I’m half-black, they don’t believe me”

– Zoey (she/her)

You wouldn’t know it looking at her, but Zoey’s half-black. In fact, her family is a full tapestry of colors. Growing up, she was bullied for hanging out with all kinds of people: all races, all genders, all weirdos.

Our phenomenal cast of storytellers have been working hard this week rehearsing BRAND NEW stories in preparation Black Stories Matter: Truth to Power taking place on June 21st at 7:30pm. we’ve been plunging into the TMI Project archive to rewatch some of our favorite and lesser-known Black Stories Matter stories from the past four years. After we hosted a true storytelling workshop at Kingston High School, we presented our first-ever high school production of Black Stories Matter, where Zoey shared her story about how her family’s diversity.

About Black Stories Matter

Black Stories Matter is TMI Project’s way of making an impact in addressing incidents of hate, bigotry and racial injustice in our local community while also participating as an organization in the national outcry of injustice. TMI Project’s mission with Black Stories Matter is to elevate the underrepresented stories of the Black experience in America – the full spectrum – the triumphs, humor, beauty, and resilience.

“Even though I never view myself as being white, I never view myself as being black either.”

While our storytellers rehearse their brand new stories, in preparation for Black Stories Matter: Truth to Power, taking place on June 21st at 7:30pm, we’re diving into TMI Project’s archive. Kesai Riddick’s story about family and his unique upbringing debuted in TMI Project’s original Black Stories Matter production in 2017. Kesai was raised by his white mom in the East Village. He missed having his dad around to model what it meant to be a black man. Luckily his uncle became like a surrogate father and introduced him to Buddhism and the concept of “Nam-myoho-renge-kyo” which eventually helped reunite Kesai with his dad in adulthood.

Meet Kesai:

TMI Project presents
Black Stories Matter: Truth to Power

About Black Stories Matter

Black Stories Matter is TMI Project’s way of making an impact in addressing incidents of hate, bigotry and racial injustice in our local community while also participating as an organization in the national outcry of injustice. TMI Project’s mission with Black Stories Matter is to elevate the underrepresented stories of the Black experience in America – the full spectrum – the triumphs, humor, beauty, and resilience.

Mental illness does not discriminate: My TMI Project transformation

by Allie Quinn (she/her)

In the Fall of 2015, one of my therapists at the Mental Health Association in Ulster County (MHA) suggested I sign up for a TMI Project true storytelling workshop. Even though my interest was piqued, I couldn’t fathom telling my story to strangers. Some of my family and friends didn’t even know the extent of what I had gone through.

Mental illness does not discriminate.

I had vaguely learned about mental illness in psychology classes, but I never imagined that at age 21, days after my junior year of college ended, I would develop a sudden and severe mental illness. In a matter of days, I went from writing 20-page papers to feeling too overwhelmed to read or write; from working 3 part-time jobs to being too paranoid to leave the house without my parents. Within a few weeks, my extreme fight-or-flight responses made driving too dangerous. Over the next several months, I was hospitalized five times, in three different facilities, spending nearly three months total in the hospital. By December, I had gained 30 pounds, withdrew from college, and had accumulated more misdiagnoses and medication changes than I could count. Most of all, I had lost a sense of who I was. I knew I needed to re-evaluate my goals, but I couldn’t find the motivation or hope.

Over the next year and a half, I attended all of my appointments, practiced coping skills, and found stability on the correct combination of medications. I even got my psychiatric service dog, Joey, who helped me gain back my independence. Still, with all of the tools I had gained and the progress I had made, I still felt that a piece of myself was missing. I signed up for a TMI Project true storytelling workshop not knowing if I would have the courage to show up on the first day.

I walked into the MHA conference room and sat toward the end of the table, not wanting to draw attention to the fact that I was terrified. As people began introducing themselves and reading their writing, my anxiety and self-consciousness worsened. I couldn’t help but ask myself what happened to the outgoing, stage-stealing, referee-challenging young woman I used to be. I completed my first session, and even though I didn’t make any groundbreaking revelations, it felt satisfying to hold a pen and feel my words flow onto the page.

As the weeks went on, I arrived feeling excited and increasingly more comfortable telling the “TMI” parts of my story. Each time I wrote, I felt a familiar fire inside that I so desperately wanted to return. On week 8, each group member received their finalized monologues from the TMI Project facilitators. When I first read the monologue out loud I experienced an overwhelming feeling of relief and self-empowerment. I stopped and said, “This is how I’ve always wanted to tell my story.” Taking ownership of my struggles and strength was exhilarating. When it came time to read my monologue in front of family, friends, my therapy team, and strangers, I felt strong and confident. I realized that sharing my story and my experience with mental illness could help others who are dealing with mental health issues.

In January of 2016, I started my own blog, and the TMI Project facilitators asked if I’d share my story at other venues. I wrote pieces about mental health and my own illness for The Mighty, MTV, and as a contributor in the book Project Semicolon: Your Story Isn’t Over. That October, I received the Next Generation Award from the YWCA Ulster County for writing and speaking about mental illness. The next month, I applied to SUNY Empire State College to study Community and Human Services. Returning to college had been a goal of mine, but I didn’t know if I would ever be ready. My participation in the TMI Project true storytelling workshop and the culminating live storytelling performance gave me the confidence I needed to reach my goals.

In December 2018, I earned my Bachelors degree and was prepared to use both my education and personal experiences to help my community. I applied to MHA, remembering their deep commitment to me and others battling mental illness. I was hired in February as a Wellness Resource Coordinator, a dream job for me.

The next TMI Project storytelling workshop session at MHA  was drawing near.

As the next TMI Project storytelling workshop at MHA session was drawing near, I asked to be the MHA staff member to sit with the new participants as they wrote their stories and found their strength. Walking into the room on the first day of the session induced a flood of emotions. I was excited for the new writers, nostalgic as I thought about the people who had been in my group, and so grateful for the personal and emotional growth that had occurred for me in that same room. Before participating in my TMI Project workshop, I resented my illness and mourned the young woman I “used to be.” After TMI Project, I embraced my struggles and took pride in my story. I realized I’m never going to be the person I was before mental illness and that’s for the better. I’m so much stronger now.

Black Stories Matter goes National with its First-ever Intergenerational Performance

“Black Stories Matter reinforced that we can see one another’s humanity through stories and conversation. It was incredible connecting, loving, humanizing. Inspiring!”  – Abe Young

Last Saturday’s first-ever intergenerational performance of Black Stories Matter was powerful and transformative. With nearly 400 audience members at The Pointe Church in Kingston, NY and over 1,000 live stream views, we are thrilled to report that we’re reaching more communities than ever with these important and timely stories.


In addition, 10 groups from the Hudson Valley and around the country (National Afro-American Museum and Cultural Center in Ohio, Museum of the African Diaspora in San Francisco, Xavier University of Louisiana in New Orleans, Art Peacemakers in MA, Showing Up for Racial Justice in Eugene, OR and more) joined us by hosting live stream viewing parties!

Special thanks to our workshop leaders Micah (he/him) and Dara Lurie (she/her), our brave and bold storytellers for sharing their truths, and to Radio Kingston for making Black Stories Matter accessible to all via live stream.

“We read stories, articles, the news, books about racism, but nothing makes these issues real like people sharing their stories.” – Amanda Sisenstein


Bring the stories and conversation to your org, school, or party by signing up as a host. The live streamed Black Stories Matter: Stories from Across Generations performance and Q & A as well as our Viewing & Discussion Guide are available on demand.

Click here to watch the recorded live stream on Facebook anytime

Partner Organizations

Funders

Black Stories Matter is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

A Message about Life Lines from Trevor Project’s James Lecesne [Video]

In the 20 years since The Trevor Project launched its life-saving suicide prevention and crisis intervention lifeline for LGBTQ youth, they’ve helped thousands of young people across the country. But they have never collected stories from those that have used the service.

The Trevor project and TMI Project came together in 2018 to do just that: to locate the people, to hear their stories of survival, and to help them to write and share those stories with the world.

Watch the video below to hear a special message from Trevor Project’s co-founder James Lecense, and to meet a few of the courageous storytellers who will join us on stage for Life Lines: Queer Stories of Survival on Nov. 5th!

 

[embedyt] https://www.youtube.com/watch?v=lq1oIcG62hs[/embedyt]

 

Life Lines: Queer Stories of Survival
Monday, November 5th, 2018, 7pm One Night Only!
The Irene Diamond Stage at The Pershing Square Signature Center
480 W. 42nd Street, NYC